Jennifer Koh

Music for Several Instruments
By Dean Frey
November 6, 2018
original link

Music of complexity & gravitas from the 20th and 21st century

Saariaho x Koh: Tocar, Cloud Trio, Light & Matter, Aure, Graal Théâtre

Kaija Saariaho's violin concerto Graal Théâtre, written in 1994 for Gidon Kremer, is one of the great works of the late 20th century, and a fine way to finish a varied program of music otherwise from the 21st century. Violinist Jennifer Koh stars in this new Cedille disc, with superb support from the Curtis 20/21 Ensemble under the direction of Conner Gray Covington.

Graal Théâtre is based on a book of Arthurian legends by Florence Delay and Jacques Roubaud. Saariaho relates how this book inspired her, both in its balance between the personal experience of creation by the artist and the theatricality of performance, and in the modern confrontation of rich source material: for Delay and Roubaud the stories of Guenivere and Galahad, and for Saariaho the great violin concertos of Beethoven, Mendelssohn and Brahms. It's the connections to musical tradition and to the theatrical experience that matter here; beyond the positioning implied in the title there is no other connection with Arthurian legend, no musical program. As Roubaud himself said about poetry, "It says what it says by saying it."

John Constable's amazing series of oil sketches of clouds is an attempt to capture en plaine air hugely complex and ever-changing meteorological effects in two dimensions. It must have taken manic energy to put oil paint on a fairly large (19" x 23") board at this level of detail in just an hour (on the back of the painting Constable noted "11 a.m." and "noon" as his starting and stopping times). In her Cloud Trio (2009) for violin, viola and cello, Kaija Saariaho also encountered clouds herself, up close in the French alps, as set out in Anne Leilehua Lanzilotti's superb liner essay (reproduced at her website here):

"When you are high in the mountains, one often sees many different layers of clouds, having all different forms, speeds and textures. They are all different, and yet we all know that they all are clouds. These notions turned into musical ideas in this trio."

With an atmospheric scientist in the family, and living in Canada's most perfect climate, we take our meteorological arts very seriously. Recently a cold front came through, and it was an amazing experience to watch the clouds hurry by from our balcony, while listening to this music. There's a fabulous feeling of atmosphere in Cloud Trio, and the same dimensional shifts one experiences when one looks at Constable's studies. Time passes, and stops; volumes form and dissipate. Three fine musicians communicate form, speed and texture, with a hint of the non-linear world underlying all weather systems. It was the meteorologist Edward Norton Lorenz, after all, who developed chaos theory. I can, however, state definitively that this is a stunning performance.

The rest of the program includes works of similar complexity and gravitas. Saariaho's interpretation of the natural world is continued in Light and Matter, from 2014, while she explores human connections in Tocar (2010). The moving Aure (2011) is a tribute to Henri Dutilleux on his 95th birthday, and shares with Dutilleux's Mémoire des ombres the same motto by Anne Frank: "Why us, why the star?"

Saariaho's music nearly always seems to combine great power with delicacy. Koh shines in both; her touch is assured and passionate when required, with a gorgeous full sound but also the most tender fragility. This release leaves one in awe of the artistry of a great composer, a star soloist (and many other fine musicians), and of the natural wonders of our world.

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